Chaos in Print: Thu Further Adventures of the Scarecrow
Excellent Adventures Edition Part II
Greetings, y'all! For those of you who missed the last issue, this is
our story thus far....
Our esteemed editor and I were headed into the city for a day of fun
and adventure at The A Channel and the Bear. All throughout our adventure
at the A Channel, I confided to our editor that I felt like I had come
across as Gomer from the sticks, just wandering around clicking pictures
with an awe-struck look on my face. I came across as though I had never
seen this level of technology and was just that quiet guy with the blank
expression. For more details, see last issue. Our editor had convinced
me that things would be different at the Bear, so we climbed aboard Amy
(my name for our editor's car) and we headed off to the Bear with renewed
hope that I would no longer be a Gomer.
(Imagine that computer voice from Star Trek saying this next
line) And now, the conclusion.
A quick trip across town, and we were at the lobby of the Bear. We had
to wait a few minutes for our tour guide to show up, so we struck up a
conversation with the rock group Random Dolmans. They seem like a cool
group, and they gave our editor a copy of their CD. (I'll have to borrow
it for my show) Shortly after that, Matt Mauler, Assistant Program Manager
and our tour guide showed up, we found out that he would be interviewing
the group, and we would get to sit in. That was definitely a delightful
bonus. They were in the recording booth, we were in the control room. Man,
the sound quality was way better than in our own little CLCR. I mean, if
we had at least half the technology to run our station that they have,
we would probably have the same number of listeners, but we would have
better sound quality.
With the interview done with, Matt now took us around the station. The
most amazing thing I saw was their CD room. I mean, if we think that CLCR
has a lot of CDs, then the Bear doesn't have very many. Yes, the Bear's
CD vault was surprisingly small. When asked why, Matt responded that all
the old stuff that no one listens to anymore gets boxed up and shoved in
the basement. Makes organizing things a lot easier, too (not that I'm implying
that the Bear's CD room was organized). Oh, and they probably do have more
when you consider that they have seven of those CD jukeboxes, each filled
to capacity, and that's what goes out on the air.
Yup, seven of those CD jukeboxes. In their programming room, they had
those seven hooked up to a computer, and that's where the program director
programs what goes on the air. He even indicated which jukebox was currently
playing the on-air CD, and I had to resist the temptation to shake the
hell out of that jukebox. I also discovered that the DJs have no say in
what gets air play. It is all up to the program director. And, if that
weren't enough, he also has to meet the CRTC CanCon regulations. Each day
has to have at least 25% Canadian music, and the week has to have a total
of 30%. If not, they can get charged. Since it's all computerized records,
they get frequently audited. It was here that our little old CLCR started
to seem a lot better. The DJs are the bosses of their shows. We are so
small that we do not have to worry about Canadian Content. We can do about
whatever the hell we want and get away with it. The reality of real radio
stations is it is so structured, organized, and regulated that there is
little room for individuality or creativity. But, I again digress.
From here, it was into the DJ booth, where we got to see the on-air personalities
work their magic. As we were completely silent, I got to take pictures
of the DJ and the news guy reading out what song is up next, and the latest
traffic report. It wasn't as de-mystifying as visiting The A Channel. It
appeared mostly like the set-up at CLCR, only more techonlogically simplified.
So, no offence to the Bear staff, but it was nothing special. The only
thing that was special is, when I was backing up to take a picture, I almost
knocked over this entire shelf of CDs, and once again feeling totally out
of place.
Well, the tour was ended, and back to Matt's office. We asked our last
few questions as we just basically killed time. I had no questions, so
you'll have to read our editor's article for the truly informative stuff.
If there is one thing I did learn from just being the fly on the wall that
I was, it is that the real world of radio is a real cutthroat world, and
you have to be tough and determined to get anywhere in it. If you just
want to do it for fun, then you are way better off with CLCR.
As we returned to Amy, our editor leaned over to me and said "Now
you seemed like Gomer from the sticks." So I almost knocked over
a shelf of CDs. And a mike stand. And I stumbled around a few times. OK,
when we entered the Bear, I turned into Serenia from Sailor Moon
and was tripping over everything. But I persevered. I realized, as our
editor broke into Amy to liberate his locked-in keys, that everyone has
their bad moments. The doors unlocked, and the keys liberated, we boarded
our transport and drove off into the night. Our excellent adventure had
come to a close, and I had a lot of fun and learned a lot about the entertainment
industry, the industry I wish to be a part of. I was also relieved that
Gomer's day in the city had come to an end.
Don't forget. If you didn't like this column, then you probably won't like my show, Chaos in a Box with the Scarecrow, Wednesdays at 9 on CLCR. And check out my new website: http://www.angelfire.com/hi/chaosinabox